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2017

catharsis

mixed media, spray cans, aluminum structure, aquatic plants, vinyl 2017

It is a work to show in my own language that I play a role of artists expected from our society and that I have professional attitude regulated among artists one another.

 Aquatic plants raised in the water of a concave side, bottom of an empty spray can, purify the air, and at the same time, I say I feel psychological purification, that is, catharsis when it comes to this ironic situation.

disassemble / put

aluminum structure,urethane foam, vinyl, video, photo 2017

The urethane foam having a swollen and hardening is foamed in an aluminum structure, so to have its form. The urethane foam made like this, doesn’t get out of the structure by the leg link of it. I record a video the process of unscrewing the screws of the structure, disassembling it, turning it upside down and putting it back again on the assembled pedestal.

I anticipate the reality that I confront, the state of resistance that arises from it, and how a situation goes afterwards, and at the same time, I try to show that I expect it.

For show: puting

self-assembly pedestal, panel, urethane foam, vinyl, video, 4 photos, 2017

put the self-assembly pedestal which is made to be a device for adjusting the eye level of viewers for low sculptures in a bag with wheels to make it easy to move it.

Empty spaces in the bag is filled with urethane foam. I want to reveal the relationships between artist’s attitude toward art and the devices by showing the process of untying the bag, assembling the pedestal and the putting the urethane foam work on it in a short time.

For show

urethane foam, vinyl, video, 4 photos 2017

I put the necessary devices and things for display installation into the bag with wheels. I make a sculpture filling the empty spaces and pack it into one bag, move it to the exhibition exhibition space, and record a video. I want to show the process of making and moving simply a work of art on the situation and conditions for an exhibition. These days in various confronting restrictions, a reality-customized work of art look like a by-product or an appendage, and I want to show a practical function as a filling and a position as a work of art.

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